Dreams are the messengers of the gods and a reflection of the unconscious. They are the conduit for messages and a way for people to communicate with one another. Dreams also offer us insight into our past and the future. Find out: dreaminguide.com
In The Sandman, the first two big story arcs adapting Preludes and Nocturnes and The Dolls House of Neil Gaiman’s comic books, the show follows Morpheus (Tom Sturridge), a member of the Endless, as he sets about setting the Dreaming back in order and addressing the chaos in the waking world his absence allowed.
While the series takes great pains to remain faithful to Gaiman’s source material, it also hints at new ideas and possibilities. One of these is the idea that dreams change – not just the humans in them, but the dreams and nightmares themselves. For instance, when a person dreams of a dragon, it could signify a powerful relationship with an enemy or the birth of a child.
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The show’s exploration of this idea is exemplified by the character of Gault. This is a character that was created specifically for the Netflix adaptation and combines two of Gaiman’s original nightmares, Brute and Glob. When she goes rogue in the first episode of the season, he finds that she has a place in the Dreaming and is no longer a clockwork creation.
The series is a rich source of insights into the meaning and purpose of dreaming, both from an ancient Greek perspective as well as a contemporary psychological one. The characters and settings of the dreaming world are beautifully realized, as are the dynamics between them. From Christie’s callous and vindictive Lucifer to Thewlis’s politely callous Dee and, of course, Sturridge’s Morpheus, this show offers a deep understanding of how different types of dreams can be interpreted and their meanings.